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c. 1445 – May 17, 1510. Italian painter.

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Gerard ter Borch the Younger
The Ratification of the Treaty of Munster, 15 May 1648

ID: 93599

Gerard ter Borch the Younger The Ratification of the Treaty of Munster, 15 May 1648
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Gerard ter Borch the Younger The Ratification of the Treaty of Munster, 15 May 1648


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | Portrait of Gerard Abrahamsz. van der Schalcke (1609-1667 | A Lady at her Toilet | Paternal Admonition | The Glass of Lemonade | Godard van Reede (1588-1648), lord of Nederhorst. Delegate of the province of Utrecht at the peace conference at MUnster (1646-48) |
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joseph michael gandy
Joseph Michael Gandy (1771 - 1843) was an English artist, visionary architect and architectural theorist, most noted for his imaginative paintings depicting Sir John Soane's architectural designs. He worked extensively with Soane both as draughtsman and creative partner from 1798 until 1809 when he (ultimately unsuccessfully) set up his own practice. Gandy built little in his career, having a reputation as a difficult individual to deal with. However his work included the Phoenix Fire and Pelican Life Insurance Offices (1804?C1805, destroyed ca. 1920) in London, Doric House at Sion Hill in Bath (1818), and the remodelling of Swerford Park house in Oxfordshire (1824?C1829). Commercially he was a failure and served two terms in a debtors' prison, but his published and exhibited work was largely a critical and popular success. In 1821 he published two articles in the Magazine of Fine Arts on The Philosophy of Architecture. He intended to expand upon this subject in an eight-volume work entitled Art, Philosophy and Science of Architecture, of which his unpublished manuscript survives. His paintings show a dramatic use of two-point perspective and architectural precision, and also reflect his (and Soane's) fascination with Roman ruins. His architectural fantasies owe a clear debt to Piranesi and play upon historical, literary and mythological themes with a feeling for the sublime that is the equal of his contemporaries J. M. W. Turner and John Martin. He died in a private asylum in Devon where he had been placed by his family in 1839. Many of his paintings can be seen in the Pictures Room of Sir John Soane's Museum in London.
Frank Buscher
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Crane, Walter
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.






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